When I grow up
I will be tall enough to reach the branches
that I need to reach to climb the trees
you get to climb when you’re grown up

And when I grow up
I will be smart enough to answer all
the questions that you need to know
the answers to before you’re grown up

When I grow up
I will be strong enough to carry all
the heavy things you have to haul
around with you when you’re a grown-up

illcisco:

La la la la la la
La la la la
La la la la
La la la la
La!
Don’t touch me!

(via friedcheesemogu)

bonerdoctor:

hawkeye 019

people who love clint barton like

brandomarlons:

I don’t think that people generally realise what motion picture industry has done to the American Indian, as a matter of fact, all ethnic groups, all minorities, all non-whites. And people just simply don’t realise, just take it for granted that that’s the way people are going to be presented and these clichés are just, I mean on this network every night, well perhaps not every night, but you can see silly renditions of human behaviour, the leering Filipino houseboy, the wily Japanese, the kook or the gook, black man, stupid Indian. It just goes on and on and on. And people actually don’t realise how deeply people are injured by seeing themselves represented, not so much the adults, who are already inured to that kind of pain and pressure, but children. Indian children seeing Indians represented as savage, as ugly, as nasty, vicious, treacherous, drunken. They grow up only with a negative image of themselves and it lasts a lifetime. 

Marlon Brando on why Sacheen Littlefeather presented a speech on his behalf during his Best Actor win for The Godfather at the 1973 Academy Awards

(via me-talk-kitty-one-day)

shortformblog:

floppyhump:

invocationwithin:

loosetoon:

Early 70’s behind the scenes of Sesame Street with the Muppets.

THIS IS THE BEST PHOTO SET I HAVE EVER ENCOUNTERED. 

Love!

The top pic, featuring an orange Oscar the Grouch, is literally the best of the bunch.

(via tymethiefslongerthoughts)

loudlysilent:

image

New or returning to Marvel comics, or have a friend who is? Here’s the Cliffs Notes on Marvel’s female-led solo titles and 15 lead female characters RIGHT NOW in August 2014:

1. Captain Marvel
WHO SHE IS: Carol Danvers is an Avenger, pilot, and all-around…

(via rubyredfeathers)

giraffepoliceforce:

Still pretty proud of my response to this.

giraffepoliceforce:

Still pretty proud of my response to this.

(via daskichan)

tamorapierce:

aliasofwestgate:

justira:

Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.

We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.

Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.

image image

Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”

Image 2: “Kathryn who’s playing my double who’s incredible.”

[ Orphan Black's Tatiana Maslany on her acting double, Kathryn Alexandre, two images from a set on themarysue, via lifeofkj ]

image image

image image

I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.

[ Daniel Radcliffe talking about David Holmes, his stunt double for 2001-2009, who was paralysed while working on the Harry Potter films. David Holmes relates his story here. Gifset via smeagoled ]

With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.

But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.

Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.

image

[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]

I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work. 

Hat’s off to them, and my thanks for all they do.

(Source: stark-industries-rnd, via daskichan)

shelqon:

winner of over 80 “game of the year” awards

The absolute worst thing is hitting “look” instead of “use” and Lee opens his goddamn mouth.

shelqon:

winner of over 80 “game of the year” awards

The absolute worst thing is hitting “look” instead of “use” and Lee opens his goddamn mouth.

HONEYS GUESS WHAT

(cissexism tw)